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                    bf:title [ a bf:Title ;
                            bf:mainTitle "Routledge studies in eighteenth century literature" ] ] ;
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    bf:subject [ a bf:Topic,
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            rdfs:label "English literature--18th century--History and criticism" ;
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    bf:summary [ a bf:Summary ;
            rdfs:label "\"This collection foregrounds the identity of eighteenth-century British literature as enmeshed within a dynamic intercultural traffic, participating in importing and exporting literary and cultural forms. Eighteenth-Century Transplantations places the existence of this transcultural circulation at the centre of attention and presents its products in a unique configuration, whereby literary transplants into the British context, out of it, and their transmedial afterlives are set together in order to showcase these processes of. The concept of transplantation, borrowed from and evocative of eighteenth-century's first horticultural experiments, is offered here as a useful kinetic model to conceptualize a range of practices involved in relocating a literary text into a new cultural environment\"-- Provided by publisher." ] ;
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        <http://id.loc.gov/vocabulary/msupplcont/index> ;
    bf:tableOfContents [ a bf:TableOfContents ;
            rdfs:label "Localizing the eighteenth-century British nNovel in Stanislavian Poland : the case of Henry Fielding -- The reception history of Frances Burney's Evelina in Hungary -- How the Picaresque became the novel (Or, The Secret History of Moll Flanders) -- Transplanting Arabic history Into English drama : the transtextuality of John Hughes's the siege of Damascus (1720) -- Reynolds Redivivus : continental aesthetics, the royal academy and Benjamin Robert Haydon -- Pamela visits the Warsaw opera : the adaptation of La buona figliuola by Wojciech Bogusławski -- Gulliver Travels to Krakow : on cultural cannibalism and transplanting texts across time and space." ] ;
    bf:title [ a bf:Title ;
            bf:mainTitle "Eighteenth-century transplantations : new literary lives, forms and contexts" ] .