BIBFRAME Work
Title
Cultural Identity in British Musical Theatre, 1890-1939
Type
- Text
- Monograph
Contribution
Language
Classification
- DDC: 792
- LCC: PN2000-3307 (Status: not used by assigner) (Status: upgraded prepub)
Content
Summary
This book examines the performance of 'Britishness' on the musical stage. Covering a tumultuous period in British history, it offers a fresh look at the vitality and centrality of the musical stage, as a global phenomenon in late-Victorian popular culture and beyond. Through a re-examination of over fifty archival play-scripts, the book comprises seven interconnected stories told in two parts. Part One focuses on domestic and personal identities of 'Britishness', and how implicit anxieties and contradictions of nationhood, class and gender were staged as part of the popular cultural condition. Broadening in scope, Part Two offers a revisionary reading of Empire and Otherness on the musical stage, and concludes with a consideration of the Great War and the interwar period, as musical theatre performed a nostalgia for a particular kind of 'Britishness', reflecting the anxieties of a nation in decline.
Table of Contents
1. The British Musical in Seven Stories -- 2. Nation - Mythologies and Modernity -- 3. Femininity - Cinderella's and Caretakers -- 4. Manliness - Domesticity and Defence -- 5. Empire - Ornamentalism and Orientalism -- 6. Conflict - Continuity and Change -- 7. Peace - Nostalgia and Nationhood -- 8. The English Musical in Many Stories.
Authorized Access Point
Macpherson, Ben. Cultural Identity in British Musical Theatre, 1890-1939
Admin Metadata
- Date: 2026-09-11T20:22:17.715665+00:00
- Agent: cbc
- Status: c
- Derived from: 22023460
Admin Metadata
- Date: 2026-09-11
- Cataloger id: Unknown
- Description level: http://id.loc.gov/ontologies/bibframe-2-6-0/
- Description language: eng
- Description authentication: pcc
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