BIBFRAME Work

Title

The artist, the censor, and the nude

Type

  • Monograph
  • Text

Contribution

Subject

Language

Illustrative Content

Classification

Content

Supplementary content

Summary

This hybrid book examines the art and politics of 'The Nude' in various cultural contexts, featuring books of canonical western art pirated and either digitally- or hand-censored in Iran by anonymous government workers. Author Glenn Harcourt uses several case studies brought to the fore by American painter Pamela Joseph in her recent "Censored" series. Harcourt's rigorous, culturally-measured and art historical approach complements Joseph's appropriation of these censored images as feminist critique. Harcourt argues that her work serves as a window toward larger questions in art. These include an examination of the evolution of abstraction; the role of women in western society, as seen through the history of painting the body; the effects of western art on cultures outside the west (sometimes referred to in Iran as 'west-toxication'); and how artists in non-western countries, specifically those in Iran living under rules of censorship that specifically prohibit representation of the body, engage with the history of western art found in the censored books.

Authorized Access Point

Harcourt, Glenn. The artist, the censor, and the nude

Geographic Coverage

Admin Metadata

  • Date: 2026-09-11T20:14:19.439475+00:00
  • Agent: cbc
  • Status: c
  • Derived from: 19733991

Admin Metadata

  • Date: 2026-09-11
  • Cataloger id: Unknown
  • Description level: http://id.loc.gov/ontologies/bibframe-2-6-0/
  • Description language: eng
  • Description authentication: pcc

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